Size | Seeds | Peers | Completed |
290.53 MiB | 0 | 1 | 136 |
This torrent has no flags.
Auditory Neuroscience Papers Collection (2016)
Auditory Neuroscience studies the way in which the brain and central nervous system transduces,
processes, and perceives sound, including speech, music, and environmental noise. Its clinical
applications include treatments for physical impairments such as hearing loss, and therapeutic
interventions that alleviate psychological conditions such as depression and anxiety. Consequently,
the purview of Auditory Neuroscience embraces a broad yet highly focused spectrum of methods and
principles.
text files:
Auditory-Processing
Abstracts & Papers
Auditory Processing is the means by which sensory receptivity to the physical source of sound is
parsed, transduced, and encoded by neural pathways and ensembles, and appropriated into perception.
It is this process that enables animals to interpret the significance of sound, which includes a
broad range of neurophysiological processes, from assessing the likelihood of danger associated with
a noise to interpreting complex arrangements of sound as music.
Auditory Processing thereby begins where sensory sensors detect acoustic vibration, which for humans
is primarily the ears; and it ends with the psychophysiological response to that sensation and its
cognitive assimilation.
The following abstracts and papers provide a point of introduction to this subject, which is central
to therapeutic and clinical interventions in both physical and mental health, being the means by
which we hear and experience subjective responses to sounds, as well as being an integral subject to
the treatment of physical conditions, including hearing loss and auditory processing disorders.
Binaural-Beats
Abstracts & Papers
Binaural Beats are perceptual illusions resulting from the way that human auditory processing
transduces the dichotic hearing of two slightly different low physical frequencies in a way that
precipitates the perception of two pitches derived from the physical frequency of the source played
to each ear, and the illusion of a third pitch or 'beat' that correlates with the frequency
difference between them.
Binaural Beats are an artefact of inter-aural differences, which contribute to the way sound is
geolocated; and they consequently have investigative use in the assessment and diagnosis of hearing
impairments.
In addition, Binaural Beats, being in the range of cortical neural oscillations, can precipitate the
entrainment of those 'brainwaves' to the frequency correlating to the perceived pitch of the
illusory beat, especially when situated in musical compositions, with subsequent alterations in
subjective experience and electroencephalographic profile.
Because the pitch of a Binaural Beat is perceived in the absence of a correlating sound source
frequency, studying their correlating neural process provides an opportunity to understand the
relationship between acoustic stimuli and their perceptive and cognitive assimilation. The following
papers and abstracts provide an overview of this subject, including several landmark papers such as
the 1973 Scientific American article by Gerald Oster.
Brainwave-Entrainment
Abstracts & Papers
Motor entrainment is a well-established subject of study in music, ethnomusicology, as well as
social and biological psychology, all of which examine the way animals generally, and humans
specifically entrain their motility to the rhythm and periodicity of external external acoustic
patterns.
Motor entrainment also has therapeutic and clinical applications, where impairments to neuro-motor
functions can be significantly improved when subjects learn to synchronize motility to external
acoustic stimuli.
Brainwave Entrainment meanwhile is a specific form of neural synchronization by which the
predominant frequency of oscillations made by groups or ensembles of cortical neurons adjust to
match the frequency of an external acoustic stimulus.
This occurs with most predictability in lower frequencies, where the perceived pitch of a sound is
close to the bands of neural oscillations that contribute to an electroencephalographic profile.
Because the transient patterns of that profile are correlated with specific mental states and
physiological conditions, brainwave entrainment, when appropriated into musical compositions, can be
used therapeutically to precipitate positive psychophysiological changes.
The following papers and abstracts provide a point of introduction to this subject.
Hypnosis
Abstracts & Papers
Hypnosis has remained a subject of controversy since its early European roots, often polarizing
clinicians and scientists on its merits, while still others purport it to be founded on
pseudoscience.
Meanwhile, the American Psychological Association, along with other international bodies of repute,
accept its use as a therapeutic intervention.
From an Auditory Neuroscience perspective, hypnosis is a valuable subject of study, notwithstanding
such controversy, because it depends almost entirely on the acoustic stimulus of a human voice, and
the way that sound source alleges precipitates cognitive changes to attention, peripheral awareness,
and suggestibility.
Auditory Neuroscience studies the process by which acoustic stimuli, especially the voice and speech
of a 'hypnotist' or 'hypnotherapist', is perceived by the subject, and the measurable
psychophysiological responses, as well as the subjective experiences her or she has as a result.
The following papers and abstracts provide an overview of the scope of this subject.
Inner-Speech
Abstracts & Papers
Among the intriguing discoveries derived from recent auditory neuroscientific research is that
activation of the auditory cortex does not depend upon external acoustic stimuli. Mentally
rehearsing intended speech, verbal thinking, and silently recalling a song are examples of
stimulas-independent processes that activate the auditory cortex, which is also involved in the
creative and imaginative processes of writing music.
Among the unvoiced mental contents that engage the auditory cortex, inner speech, the means by which
a subject is able to hold an unspoken dialogue of intrapersonal communication with himself or
herself, remains a subject of substantial psychological study.
The interest derives from the degree to which Inner Speech, and the subjective interpretations it
expresses, influence self-perception; and cognitive approaches to psychotherapy pay particular
attention to amending the counterfactual distortions inherent in inner speech, with subsequent
positive alterations to self-perception.
Inner Speech is now not only a subject pertinent to cognitive psychology, but also to auditory
neuroscience, which is beginning to explain the underlying neurophysiological processes to the act
of talking to ourselves.
The following abstracts and papers offer an overview of this field.
Isochronic-Tones
Abstracts & Papers
Isochronous rhythms or Isochronic Tones are sounds that repeat with a consistently even phase, such
that the intermittent sound and silence have a constant frequency, unaffected by the physical
frequency and perceived pitch of the sound-source itself.
Such isochronology is a ubiquitous feature of music, and a feature of entrainment, by which animals
synchronize motor activity with the periodicity and frequency of external acoustic stimuli.
The study of Isochronic Tones and their effect on listeners provides an insight into the way in
which motor activity is influenced by perceived sound stimuli.
In addition, listening to Isochronic Tones, especially when contextualized in music, has been shown
to precipitate changes in electroencephalographic profile, with correlating psychophysiological
alterations; they thereby have therapeutic use.
The following abstracts and papers offer an insight into this subject.
Meditation
Abstracts & Papers
Meditation has been the subject of significant neuroscientific inquiry during the 21st century,
notwithstanding the lack of any singular or stable definition of the practice among researchers or
practitioners.
Setting definition aside, it is clear that the array of mental practices to which the term
Meditation refers each involve changes to attentional control, psychophysiological alterations
associated with relaxation, and a metacognition by which thoughts and feelings are perceived as
transient and do not stimulate motor reaction or cognitive analysis.
The dissemination of originally Asian meditative and contemplative practices in the West, which
began towards the end of the nineteenth century, became exponentially popular from the middle of the
twentieth century, with the availability of recorded media, tapes, compact discs, and later digital
formats, which use verbal instruction, sound, and music to facilitate Mediation among listeners.
Consequently, as with hypnosis, Auditory Neuroscience can approach Meditation with intent to
discover how such acoustic stimuli contributes to the psychophysiological and neurobiological
changes that occur during meditative practice, and correlate with self-reported alterations in
attentional control and subjective perception of self and environment.
The following abstracts and papers offer an overview and introduction to this field.
Music
Abstracts & Papers
Music has been the subject of exponential scientific inquiry over the past twenty years, accompanied
by fervent debate about its evolutionary significance, being ubiquitously integral to human social
behavior.
Meanwhile, therapeutic and clinical applications of Music, for which there is ample scientific
evidence of efficacy, are integral to a wide range of physical and mental health services.
Auditory Neuroscience studies the underlying neural mechanisms and processes to Music listening and
Music making. It seeks to understand the relationship between cognition, emotion, and perception, in
an attempt to discern the role of preference in determining varied psychophysiological reactions to
the same Music among groups of listeners, and appreciate the complex transductions that make it
possible for patterns of sound to precipitate feelings such as fear and joy, with correlating
neurobiological responses.
The following abstracts and papers offer an insight into this expanding field.
Neural-Synchronization
Abstracts & Papers
Neural Synchronization refers to the way in which groups or ensembles of neurons act in a
coordinated manner according to organizing principles that make the transduction of acoustic stimuli
possible.
In addition to the volley principle, by which ensembles of neurons within the auditory processing
system fire with discreet and different phases that combine to encode a sum frequency of sound, such
coordinated synchrony is integral to many other sensory, cognitive, and perceptual processes.
That sound and neural action potential both have frequency and phase periodicity affords Auditory
Neuroscience a particularly fascinating perspective, which can reveal, for example, the way that the
physical frequency of acoustic stimuli is transduced and encoded to provide a reliable and
consistent perception of pitch.
The following abstracts and papers offer an overview of this area.
Neurologic-Music-Therapy
Abstracts & Papers
Neurologic Music Therapy is the clinical and therapeutic use of making and listening to music as a
means to treat or improve a range of sensory, cognitive, and motor conditions and dysfunctions.
Whilst traditionally, music therapy has remained routed in psychodynamic, psychoanalytic, and
psychological principles, with close connection to artistic practice and creative process,
Neurologic Music Therapy resituates the intervention in the context of neurobiology, using music to
stimulate those areas of the brain that process not only the perception of musical stimuli, but also
a range of cognitive and motor functions.
Exploiting the multimodal nature of brain areas, Neurologic Music Therapy uses the artistic and
interpretive process of making and listening to music as the means by which to improve other
non-musical functions.
The following abstracts and papers offer an initial introduction to this emerging field of inquiry.
audio files:
audio samples of applied auditory neuroscience
tags: subliminal, binaural, sleep, hypnosis, isochronic, mind control, mkultra, brainwashing