THE AGES OF URAS.The Secret of the Dark Stars.Anton Parks.2009.478pages

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Have you ever wondered where the moon came from?
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THE AGES OF URAS.The Secret of the Dark Stars.Anton Parks.2009.478pages (EBOOK)

Complete Annunaki/Anu-nagi Chronology

INFO:
Parks' experiences began at the age of 14, in 1981, with a series of "flashes" that would occur at any hour of the day, and completely beyond his control. These eventually evolved into "visions" that took place from once to three times each day.
The visions seemed somehow to be related to or triggered by the ambient light at the time of their occurrence. The light in the visions had the same "spectrum" as the surrounding light. They came as "jets of light" from above, penetrating the top of his head, at the level of the "seventh principal chakra." They would instantly disconnect him from his surroundings and move him into complete scenes, including the aspect of sound.
He would find himself "inside" a certain being, and usually would find the same set of "personages" around him.
These living experiences would take from two to up to ten minutes. Yet if there were people around Parks at the time the visions occurred, they did not seem to notice that anything special had happened, which leads Parks to believe that he would have been gone for only a few seconds at most, in their time.
Parks struggled to comprehend the source of these visions, and their meaning. It was not until the end of the 90s and much research that he came to understand that they were related to the Sumerian civilization and to a language from which the Sumerian language emerged.
...It took some time to put order into all this history -- the different personages and their characters, their numerous names, the different races, the planets, the dimensions -- all that had not been clear at the beginning, especially since I was receiving the information via these disordered "flashes".
Order and comprehension came naturally over the course of years, without doubt due to the growing amount of information that I was able to accumulate.
And there was this sensation of "deja vu", of knowing or recognizing the personalities of the players.
It is a world apart, truly separate from ours, but so alive and, in spite of all, so close to us in many ways...
I discovered by chance the Sumerian literature very late, toward the end of 1999 and the beginning of 2000. Yes, that was a shock and above all a supreme motivation for me to write the Chronicles.
Certain places described in the Mesopotamian documents, and most of the the principal personages, are relatively in accord with what I received, but the tablets lack many details and numerous elements... and in fact not all is in accord with my "visions". The warp and woof of the story that I relate are found however on some clay tablets; this is why I have no doubt this "capacity" to interpret the symbolism of the Mesopotamian documents.

SAMPLE:

Languages
Unity

The language in which Parks received his information was completely unlike French, yet he knew it as though it were his native tongue.
For some years he had believed the language to be Hebrew, but was disabused of this idea through the use of a Hebrew syllabary (a set of signs or symbols representing the sounds that make up the words. Since these constituent sounds have their own meanings, one can use this tool to decompose and understand the complex meanings of complete words).
It is this focus on the phonetic values of the syllables that distinguishes Parks' linguistic methodology. These exhibit a common base among numerous ancient languages.
Parks learned that the codification of languages was associated with the existence of castes in the society he had experienced in his visions: that of the Gina'abul (Sumerian word for lizards). By the end of the 1990s Parks understood that the phonetic values of the Gina'abul were to be found in both the Sumerian and Akkadian syllabaries.

The Sumerian language, he points out, embraces a system that was totally formed from its first appearance and which has undergone only rare developments over time. Sumerian belongs to no known linguistic group, while Akkadian - a language spoken in the north of Mesopotamia and structured from the Sumerian syllabary - is the ancestor of Assyrian and Bablylonian, themselves belonging to semitic groups such as Hebrew and Arabic.
In fact, Parks found that there actually is a single Sumero-Assyro-Babylonian syllabary on which are based the principal words of numerous ancient languages: Arabic, Chinese, Dogon, Egyptian, Ancient Greek, Hebrew, Hindi, Hopi, Japanese, Latin, the Germanic languages and many others.

These syllabaries could be used to decompose certain biblical terms and to understand their deep meanings.

Decomposing a word required knowledge of the context that had led to the original assembling of its terms. For example, he explains, the Sumerian Gina'abul can be decomposed as GINA-AB-UL ("veritable ancestor(s) of the splendor"). When one understands the excessive vanity of the beings Parks experienced, one is not surprised by this appelation.
Take the name Adam, which we are supposed to believe comes from the Hebrew in relation to the terms adama (clod of earth?) or adôm (red). Parks is unaware that any author has considered the Sumerian Á-DAM, which means "beasts, animals, flocks" or "levy (?), establishment, installation or colonization," all subsumed under "inflict!"
If Á-DAM were to designate persons, they would be "beasts, animals, levied, established, installed," or even "colonized, inflicted."

The idea of an enslaved being, totally submissive to "gods," is reinforced in the equivalent of the term Á-DAM in Akkadian, which is Nammaššû, translated phonetically in Sumerian as nam-maš-šû, "the demi-portion to charge."What could be more precise?

Parks applies this method to determine and verify in detail virtually every translatable term in connection with the history he relates. In Le Secret, the number of words that he did not decompose with the aid of the Sumero-Akkadian syllabary could be counted on the fingers of one hand. He believes he is the first to use this decomposition method.
The syllables of Sumerian and Akkadian words allow Parks to decompose the principal words of other ancestral languages: Chinese, Hebrew, ancient Greek, Latin, Germanic and Amerindian languages, etc. That leads to a unified understanding of all languages, but discussion of this will have to await the later volumes in the series.
Parks does provide in the current volume the accents and numeric labeling of syllables that are part of his system.

The males (the Anunna) were in conflict with them. Moreover, as I demonstrate in my first two books, Sa'am-Enki was more on the side of the Nindigir or Amašutum females than on the side of his creator An and An's right arm Enlil.
It is actually Enki who mixed the language of Man according to the writings on the tablets; it is he who codified [encoded?] the languages as a means to break Enlil's domination over the human beings who originally all spoke but one language:
"Formerly, there was a time when the countries of Šubur, of Hamazi, of Kalam (Sumer) where are spoken so many languages, the country and principality of the divine laws, Uri, the country provided with everything necessary, the country of Martu that rested in security, the entire universe and all the peoples together, rendered homage to Enlil with one single language. However, the Father-Lord, the Father-Prince, the Father-King Enki, [...] the Father-Lord was angry....
"[...] Enki, the Lord of Abundance, whose commandments are certain, the Lord of Wisdom who scrutinizes the Earth, the chief of the gods, the Lord of Eridu, gifted with Wisdom, changed the words of their mouth, put discord there, in the language of Man, which had once been unique"
Enmerkar and the Lord of Aratta
Extract from a tablet in the Ashmolean Museum of Oxford

I explain in the first book that the codification secretly organized by Enki and his people, the Nungal, that is to say the "watchers" or B'nai Elohim (sons of the Elohim), made use of the totality of the original dialect (Emešà, the "matrix language") of the priestesses. The creation of new dialects from the full Sumero-Akkadian syllabary was made possible not only through the repeated use of particles said to be Akkadian -- originally unknown to the male
"gods" -- but equally through the inventive criss-crossed and tangled employment of the three principal elements that form a sentence: the subject of the action, the object, and the verbal form.

Human
Today's human is far removed from the Namlú'u, the original or primordial humanoid created by the Kadištu to watch over the animals of the planetary garden that was Uraš (Earth).
As precisely stated in Genesis (1.26), the human was the last specimen to have been integrated into the living reserve of the Life Designers.
The aim of this reserve was to assemble the genetic knowledge of the emissaries of the Source. The original human being was highly respected, because it combined within itself the genetic patrimony of numerous Life Designer species....
Allied races gifted the Namlú'u with several parts of their body structure. Designers of Life such as the Ameli brought the principal element of their marvelous semi-etheric body. All Designers of Life contributed a bit of themselves toward the realization of the Namlú'u.
The Namlú'u thus were magnificent beings, the issue of the collective heritage of the combined sciences of the Kadištu. They were for this reason the living guardians of the knowledge of our universe....
One of the most remarkable manipulations of the Gina'abul is to have alienated the human being in order to produce an animal to serve themselves. For that, the Gina'abul began with the original human that they then mixed with their own genes and those of apes.
The particular mixture that the Gina'abul must have had to cook up in order to obtain their Á-DAM resulted from a composition completely impossible to realize today by human scientists. It required the same type of manipulation that the Kadištu had used to assemble the original human. It is Enki, the son of An and Nammu, who was charged with this doleful dirty work under the constraints that will be described in the second book. I name this genetic combination "mixed blood" in the first book.
[What does the genetic record have to say? Obviously that is a huge subject, one that we (your Open SETI / End of Enchantment writers) have not adequately researched. However a recent article, Humans, chimps may have bred after split suggests that researchers are currently confused, to say the least. A fundamental element of the problem that can cause huge confusion is that of timing of events in the record. That is because all DNA research assumes that DNA slowly "drifts" due to accumulated mutations, and this assumption is inconsistent with a "genetic intervention" model, which we surely have here. Therefore in the present case none of the conclusions can be correct.]
The sad aspect of the Á-DAM-animal is attested to by many traditions -- notably in the apocryphal texts which are documents from the same period as the biblical scriptures, but were not admitted by the Church. Why not? Because these texts seriously undermine the official version.

Apocryphal Book of Adam, extracts from Chapters 13 and 15, éditions Robert Laffont, 1980:

Who has plunged me into this infinite sadness of evil angels of fetid odor and abominable form? Who has thrown me into the midst of these evil genies? Must I grow in a milieu that I detest, among beings whose works I abhor? Must I take their form, that I live in their dwelling-place? Why has my primitive form changed? Ah! That they would allow me to return to the peaceful sojourn, there to which my heart yearns. That they would return me to the celestial assemblies and the conferences and the prayers filled with peaceful enfusions, that they may illumine me with the light from on high and that I be finally cast from this envelope of opprobrium. How long will I be bound to this body of clay?

Apocryphal The Apocalypse of Adam, gnostic Nag-Hammadi texts, N-H Codex 5, éditions Ganesha, 1989:

Since (the) God has fashioned me of earth, and Eve at the same time, I went with her toward a glory that she had perceived in the eon from which we issued. This one taught me by one word the knowledge of the eternal God. Then we came to resemble the great eternal angels: we were superior, in effect to the God who had fashioned us and to the powers that are with him, but that we know not now. Then, sore with wrath, God, master of the eons and the powers, split us... Since then, we have been instructed, like men, of mortal things. Then, we knew the God who had made us. Because we were not independent of his powers. And we served him in fear and slavery. And in consequence, our hearts were obscured...

He is there, he arrives, the murderer of our sovereign. His project is horrifying! The furious winds blow with him. She falls as a flowing star in the night, she, the faithful ambassador of the Source who dreamed of a permanent truce for all the Gina'abul. In the shadow of the patriarch sidles the carnivore, the seducer of the Nations. The Sipad (herder) of the flock whose march is teetering. His designs are sinister. The multitude honors him blindly with a single voice. He drinks from their sorrows and his work on the earth... and she falls, the Ama (mother), she plunges into the deep ocean. No one can do anything.... The wave, the breaking wave...

A tasty extract from the gnostic Nag-Hammadi text, "The Origins of the World", Codex NH2-5 ; 20:
"When he (the first father) learned for certain that there existed before him a luminous immortal Man, he was profoundly troubled, because he had declared to all the gods and to their angels: 'I am God. No other exists beside me.'
"And he was frightened by that which perhaps they, from that point on, knew: that one other than he had existed before him and could condemn him! But he, insensed as he was, ignored this condemnation and took it lightly. He said, "If someone was before me, let him appear, that one may see his light. And no sooner had he said that, than a light shone forth from the Ogdoade who is in the heights and crossed the seven Heavens and the Earth. When the first father saw how beautiful and clear was this light, he was stunned and became confused. When the light had appeared, a marvelous human figure was shown in it..."

Extract from the Babylonian poem Atrahasis, lines 1 to 26:
"When the gods had the task of man, endured the duty and carried the burden, the burden of the gods was large, the work was hard, the distress was immense.
"The great Anunnaki imposed on the Igigi (Nungal in Sumerian) a sevenfold burden...
"As they agreed, the great gods drew lots: Anu returned to the Heavens, Enlil took the Earth for his fiefdom, and Enki, the prince, received the inland seas.
"When Anu returned to the heaven, the gods of the Apsu (Abzu) descended; the celestial Anunnaki imposed the burden on the Igigi.

"These gods dug the watercourses to open the canals... In that manner they carved out the Tigris and then the Euphrates rivers."
You will live multiple adventures and you will have choices to make to preserve your wellbeing and that of your family... that of Nammu. I distinguish a visage exquisitely made up... dark green eyes outlined in night. A female of solitary destiny will come and her times will perturb your existence... a Nin (priestess) of divine allure, bedecked in an infinity of jewels. The color of her skin will be identical to that of the Babbar (albinos). In these troubled times, Uraš will bear mortals who resemble you to some degree. The Gina'abul males and their mortal sovereigns will be at her feet. She will put the people of Uraš to their knees, innumerable in this epoch. The entire world will tremble at her passage...

The priestess continues, describing this Nin who will exalt the imagination of soldiers on the field of battle. For this fateful time she will be under the influence of the grand Šàtam, Enki's creature Enlil, and Enki's creator An. Cities, banquets, temples are described.
Her destiny is tied in part to yours... It is she whom you pursue and you unconsciously flee... She is a double of the above and the below... you are Urní (sister souls).

Parks examines a number of singular documents that confirm, in part, the proposals of Velikovsky, as well as the cosmic events described in Ádam Genisiš, involving the "astre" Mulge-Tab (companion of Mulge). The most eloquent of these documents are funerary Egyptian texts, but others are just as convincing.
Here is a brief outline (paraphrased from Ádam Genisiš) of the method Parks used to develop his "Neb-Heru / Morning Star" scenario.

1. Document the total conviction of the Mesopotamians about the place of origin of their gods. Set against this ideology the recent astronomical discoveries concerning the solar system. This serves to reestablish a truth long distorted by authors such as Zecharia Sitchin who wished to see in a wandering member of the solar system, the original home of the Anunna "gods" of the Mesopotamian texts.

2. Attempt to identify this perturbing celestial object. It is found to be mentioned in the Indian Rig-Veda. Draw parallels between this Vedic text and the Egyptian ideology. Note that there is a common source.

3. Establish that Enki and Osiris were one and the same personage. This leads to the possibility of authenticating the amphibian filiations of Enki-Osiris (Sa'am) as well as his consanguinity with the Abgal Designers-of-Life from Sirius -- those which were considered to be KIR-IS-TI. Together, these facts connect the Kiristi with the Christ, symbolized by the Morning Star in the hermetic passages of the Bible. This in turn leads to interpretations of the meaning of the various crosses found in different parts of the world. Also, explore the sacrificial tradition of the Dogons which recounts the death of Nommo, the "Christ" of Mali. In consequence of this sacrifice, the universe was disrupted, along with the positions of the stars. All of this gives for the first time the opportunity to assimilate the sacrificed celestial Nommo to a celestial body, whose destruction produced the birth of the planet Venus.

4. Perform a close study of the origins and formation of the planet Venus as seen by different cultures. Note that Venus is always born from the destruction of its progenitor.

5. Explore the connections between various myths that see the planet Venus as having caused floods over the ages. Noting that in the Mesopotamian traditions, Venus and its progenitor bore the names Neberu and Mulge, begin to understand the hermetic ideology of the Egyptians that saw in the dismembered Osiris the asteroid belt. Discover that the shattered tree of the horizon and the primordial hill from which emerged the new sun (Venus) form an identity: a celestial image of Osiris in the sky. Osiris symbolizes the hill of the ancient gods (Kadištu) because he is their representative on Earth. Horus the Avenger, the posthumous son of Osiris, represents the Morning Star. Show that the various Pharaohs (images of Horus) all symbolize Venus. Discover through a study of the Egyptian funerary texts that the soul of the Pharaohs must make the celestial voyage that permits the rejoining of the dismembered body of Osiris in the sky and restoration of the previously disrupted universe. For that, they must follow the ancient path of Neb-Heru (Horus-Venus), the orbit that goes from the light to the darkness. All these discoveries lead to the resounding evidence that the Mesopotamian astre Neberu and the Egptian Neb-Heru form the same astral image. Provide a graphic showing a possible bit of the object's disruptive trajectory.
Put simply: there was indeed a wandering object in the solar system, which was occasionally highly disruptive to the Earth (and other planets). Its birth out of the destruction of another celestial body was observed by humans, as was its eventual assumption of a stable solar orbit. We know it as Venus. It never was the home of the gods, and there is no such place associated with the solar system. But there are deep connections between this object - Venus - and Horus/Neb-Heru, with Osiris identified as its progenitor.

A'amenptah (Decoder) refers to Atlantis, the homeland from which came a part of the ancient Egyptians. After its successive engulfments, the island of the A'amentptah was progressively transformed into the Amenti or the Amenta, the Occident or West, the world beyond the terrestrial life of the Egyptian culture, where the ancestors lived. We must not fail to connect the Amenti with the surname given to Enki-Ea in Emesal: Amanki "Lord of Heaven and Earth".
Archaeologists have always agreed on the great antiquity of the Osireion, that in fact it is the oldest structure found in Egypt. Parks traces the discussions, the more radical of which place it at 11000 to 12000 years ago. In Ádam Genisiš Parks designates this building as the first cenotaph in all of Mesopotamia erected in the honor of Osiris-Enki. Its construction of cyclopean stones using the same technique employed in building the Sphinx, dates it to the time of the final engulfment of Atlantis and the death of Osiris, almost 12,000 years ago. And this puts it at the epoch of the explosion of Mulge (the "black star") and the ejection of its satellite that brushed the Earth, provoking the upset that is discussed in the book, and others of which Parks will write in his third volume.

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We are here for Research ONLY!!

If you have an open mind, you will GO far!!!

------------------------------------------------------------------------->

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Gather and cross-check vast amounts of knowledge in many dozen specialized fields from scientists and researchers around the globe in addition to studying hundreds of historical documents spanning back to the dawn of history. These fields include archeology, geology, astro, geo & quantum physics, ancient languages & civilizations, paleontology, ancient history, genetics and others.

Events shape our lives, even distant and dark ones. From the time I was a wee little one, I have stopped my fear of dark places. I pick up my torch and journey alone through darkened corridors leading down into bottomless caverns of events past. I stumble upon the remnants of an intricate puzzle, which I bring back with me, and in the quiet of my dreams, are assembled before me.

The turning of the stars bring a time when my secrets can give you immortality.
but when that time has passed, those fleeting minutes gone, the secret is worthless.
until once again the stars unlock its power.

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