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gifs and bad conspircay theory
11-19-2010, 02:25 PM (This post was last modified: 11-19-2010 09:18 PM by yeti.)
Post: #1
gifs and bad conspircay theory
im beginning to see a corelation between conspiracy sites that use animated gifs and shoddy logic. All the crackpots seem to use them.

Can any crazies draw some light as to why?
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11-19-2010, 06:23 PM
Post: #2
RE: gifs and bad conspircay theory.
Well, I do not consider myself a "crackpot", but as an example I did make the following .gif to illustrate a point...
The first frame has a 2 second delay, the rest a .5 second delay, the original video was 29.97 frames per second... This .gif represents about 1/3 of one second in real time.

http://209.85.62.24/18/3/0/p187380/Nosplash.gif ( 2.3 Mb )

I used the best quality available which fit the space constraints of the hosting portion of my forum at the time I created the .gif ( this image is "grandfathered" and the new rules impose a 200 Kb limit ). I have only found one copy which does have better quality and that does show more detail, which ironically happens to be on HBO's 9/11 documentary DVD.

I don't know if that answers your question, but that's my story and I'm stickin' to it.

[Image: JFKSig.gif]
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11-19-2010, 07:33 PM
Post: #3
RE: gifs and bad conspircay theory.
i cant really allocate you to the crazy box jfk. sorry.
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11-22-2010, 04:43 AM
Post: #4
RE: gifs and bad conspircay theory
Could be that flashy twinkly things draw the eyes of the dim-witted to linger, where a more discerning mind would rapidly move on, and a disproportionate number of people have used them that way recently on their sites, possibly to draw attention to areas of concern?

That would also be to ask what is the normally proportioned distribution of flashy twinkly things in relation to fixed images and/or text, and I doubt any serious survey of that has been done.

Perhaps it's a kind of deep, gestalt-like understanding you're coming to about some particular quality of the internet or the way that the slowly awakening human hive-mind is impressing a type of subconscious pattern upon it's trillions of pages.

Can I have some of the hallucinogens you've been taking so I can assist your research? =)



“I'm not from earth. I'm here on a research project. I'm preparing a paper on the psychosomatic ailments of pre-Apocalyptic condominium dwellers.”
-Sappho, Ash Ock

The Mushrooms once said to me "You must have a plan. If you don't have a plan, you will become part of someone else's plan."
-Terence McKenna
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11-22-2010, 10:15 AM
Post: #5
RE: gifs and bad conspircay theory
go find pick them off the field like everyone elseSmile its been a reasonable winter in placesSmile
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12-12-2010, 05:33 PM
Post: #6
RE: gifs and bad conspircay theory
Quote:PVI > Sarnoff Corp. > SRI intl.
Princeton Video Images

"The company was founded as Princeton Electronic Billboard (PEB) in 1990 by Roy Rosser and Brown Williams, based on patents on match moving enhancements filed by Roy Rosser [10][11]. Brown Williams had been a senior manager at Sarnoff Corporation and knew that they had developed advanced, vision based pattern recognition and tracking technology for various US defense agencies. "

source: wikipedia "Princeton Video Images"

Sarnoff Corporation

"Sarnoff Corporation, with headquarters in West Windsor, Mercer County, New Jersey, delivers vision, video and semiconductor innovations that empower clients to see/sense, understand and control complex environments.[1] Sarnoff Corporation comprises the former RCA Laboratories. Until the end of 2010 it will remain a wholly owned subsidiary of SRI International, whereupon, as of January 2011, the two are to be merged. The cornerstone of Sarnoff Corporation's David Sarnoff Research Center in the Princeton vicinity was laid just before the attack on Pearl Harbor in 1941. That facility, later Sarnoff Corporation headquarters, is the site of several historic developments, notably color television, CMOS integrated circuit technology, electron microscopy, and many other important technologies affecting everyday life worldwide. Following 47 years as a central research laboratory for its corporate owner RCA (and briefly for successor GE), in 1988 the David Sarnoff Research Center was transitioned to Sarnoff Corporation, a wholly owned subsidiary of SRI International, in which capacity it serves multiple clients.

In March, 2010, it was announced[2] that in January, 2011 Sarnoff Corporation would be integrated with its parent company SRI International, a not-for-profit California company with headquarters in Menlo Park with its own rich history of innovation. Until then, Sarnoff would remain a for-profit subsidiary of SRI International."

source: wikipedia "Sarnoff Corporation"

SRI International

"SRI International, founded as Stanford Research Institute, is one of the world's largest contract research institutes. Based in the United States, the trustees of Stanford University established it in 1946 as a center of innovation to support economic development in the region. It was later incorporated as an independent non-profit organization under U.S. and California laws. SRI's headquarters are in Menlo Park, California, near the Stanford University campus. Curtis Carlson, Ph.D., is SRI's president and CEO. Year 2009 revenue for SRI, including its subsidiary, Sarnoff Corporation, was approximately $470 million.[1] As of 2010, SRI and Sarnoff employ about 1,700 staff members combined[2].

SRI's mission is discovery and the application of science and technology for knowledge, commerce, prosperity, and peace.[3]

SRI performs client-sponsored research and development for government agencies, commercial businesses, and private foundations. It also licenses its technologies, forms strategic partnerships, and creates spin-off companies.[4]

SRI's focus areas include communications and networks, computing, economic development and science and technology policy, education, energy and the environment, engineering systems, pharmaceuticals and health sciences, homeland security and national defense, materials and structures, and robotics.[5]

SRI has been awarded more than 1,000 patents and patent applications worldwide.[6]

In 1970, SRI formally separated from Stanford University and, in 1977, became known as SRI International. The separation was a belated response to Vietnam war protesters at Stanford University who believed that SRI's DARPA-funded work was essentially making the university part of the military-industrial complex.

In the 1970s, SRI undertook a number of research projects outside of the scientific mainstream, including research into expanded human consciousness and claims of extraordinary human abilities such as those attributed to celebrity psychic Uri Geller."

source: wikipedia "SRI"

Quote:When TV brings you the news as it didn't happen

Broadcasters are using virtual imaging technology to alter live broadcasts - and not even the news is safe from tampering

Monday, 24 January 2000



Viewers tuning into American broadcaster CBS's recent news coverage of the millennium celebrations in New York witnessed a televisual sleight of hand which enabled CBS to alter the reality of what they saw. Using "virtual imaging" technology, the broadcaster seamlessly adjusted live video images to include an apparently real promotion for itself in Times Square. The move has sparked debate about the ethics of using advances in broadcast technology to alter reality without telling viewers that what they are seeing isn't really there.

Viewers tuning into American broadcaster CBS's recent news coverage of the millennium celebrations in New York witnessed a televisual sleight of hand which enabled CBS to alter the reality of what they saw. Using "virtual imaging" technology, the broadcaster seamlessly adjusted live video images to include an apparently real promotion for itself in Times Square. The move has sparked debate about the ethics of using advances in broadcast technology to alter reality without telling viewers that what they are seeing isn't really there.

While it's little surprise that advances in TV technology enable broadcasters to better manipulate existing images and create new ones, what is surprising is that this was done during a live broadcast and in a news programme. The CBS evening news coverage involved replacing the logo of rival network NBC with the CBS logo on a large video screen in Times Square. NBC was "outraged" by the use of the technology, and even CBS's evening news presenter, Dan Rather, admitted it was a "mistake".

The technology to do this comes from the defence industry where, following the end of the Cold War, a number of companies have developed new ways of commercially exploiting their military navigation and tracking expertise.

The system CBS used was developed by a United States company called Princeton Video Images (PVI). Other players in this field include Symah Vision - part of French defence to media group Lagadere; Israel-based Orad Hi Tech Systems, and SciDex, another Israeli firm with offices in Europe and the US. Each system, while similar, has its differences. None of the companies will publicly discuss how their's works. But the principle is common: each alters the live video image in the split second before it is broadcast.

"The prime use of our system is to insert promotional images into live coverage, or as a post-production application for pre-recorded (TV) shows - for example, to insert branded goods into the action that weren't really there, for product placement," Denny Wilkinson, PVI's chief executive officer, explains. "Advertising, however, has by far and away the biggest potential for this. It's where the money is."

The use of this technology is already becoming familiar in sports coverage. A number of international sports organisers have recognised the potential to generate more advertising revenue by - in effect - re-selling the same perimeter advertising billboards at their stadia. Through virtual imaging, different advertisers' brands can be seen in different countries that take the live broadcast feed.

A number of European broadcasters including Sky TV have already run "virtual advertising" trials. Mexican broadcasters, meanwhile, have fully embraced virtual imaging systems. And different sports - notably Formula 1 - now acknowledge the potential to deal with restrictions on tobacco advertising in certain countries by replacing cigarette branding in some territories with other images.

The use of this technology for editorial purposes however is more contentious. Already, other media owners - notably newspapers - have had to deal with concerns about digitally manipulating photographic images used in news pages. The Mirror's doctoring of photographs of the Princess of Wales and Dodi Fayed holidaying together was perhaps the highest profile example.

Now concern is being voiced over TV viewers believing they can see something which is not actually there. Which is why it is hard to find anyone in UK broadcasting ready to admit that they - like CBS - are considering the potential of this technology beyond advertising. Sky, however, sees the technology's use as a way of enhancing "the look" of its sports coverage. "We use the ORAD system for a combination of editorial and promotional use," explains Phil Madge, Sky TV studio graphics supervisor "We are using it now to build virtual screens which hang down from the roof of various football stadia to highlight upcoming events, pre-recorded footage and Sky Sports promotions."

Sky purchased the system at the start of the current football season, although it had run a number of trials previously, Madge adds. It has been used less for virtual advertising due to a combination of Independent Television Commission restriction and Football Association concerns. However, it was also used by Sky News to create a virtual studio for the channel's millennium coverage.

"There is great potential to use virtual imaging in other ways but it remains a tool whose biggest advantage is for live broadcasting," Madge says. "There are obvious advantages in virtual studios as you don't need a physical set, just a blue screen against which the presenter is shot and a three-D computer model. You can change it over very quickly - there's no need to shift scenery. The downside is it can look quite computer `graphicsy', and a bit naff."

CBS's problems arise from the fact that its use of the PVI system went one step further than "enhancing" the look of its presentation: it tampered with the reality of an actual event it was depicting in a news show, raising the spectre of TV news reporters reporting "live" from around the world when they're actually far closer to home. The broadcaster - which has also used virtual imaging to modify the New York cityscape - defended itself by insisting: "CBS News' internal standards prohibit digital manipulation or other faking of news footage."

However, a CBS spokeswoman admitted that virtual insertion technology is yet to be covered by the broadcaster's guidelines. But Dan Rather, for one, thinks it should be. "At the very least we should have pointed out to viewers we were doing it,'' he told the New York Times. "I did not grasp the possible ethical implications of this and that was wrong on my part.''

CBS is not the only broadcaster to use this technology in news broadcasts. Rival ABC recently included a report on Congress by a reporter wearing an overcoat in front of what to viewers seemed to be the US Capitol. The entire report was taped in a studio.

UK programme makers, however, doubt virtual imaging technology requires guidelines any different to the ones they already have relating to editorial balance, accuracy and fairness. "Any form of factual programme-making involves some form of editing of events. It's not hard to present the same situation in a number of different ways," one documentary maker explains. "But it is up to the integrity of the programme-maker to do so with integrity in a way that is both responsible and accurate. The same approach must apply to any production method."

It is a view which seems to be shared by the ITC, whose guidelines relate to the use of virtual imaging by advertisers - none specifically relate to editorial use. "It is an issue that crosses a number of regulatory areas - it could be a matter of inaccuracy, or undue prominence, or fairness. If it arose, we would have to consider each case on its own merits," a spokeswoman says.

Trouble is, for the time being at least, the onus is on the viewer to draw any example of tampering with reality to the attention of the regulator which then would investigate retrospectively. Assuming, that is, that they realise what they are seeing isn't real.


http://www.independent.co.uk/news/busine...28236.html

Quote: Another recent SciDel test involved on-court

virtual branding during coverage of the ATP Tour shown in France,

Germany and Italy. Consumer research showed it achieved 60 per cent

unprompted audience recall.



Princeton Video Image has struck a deal with the San Francisco Giants

baseball team to provide electronic billboards for games. Virtual

advertising has been generated live, adjusting to camera angles and

allowing players to walk in front of it as if it were a real sign.



HOW VIRTUAL ADVERTISING WORKS



The technology behind virtual advertising originated in the defence

industry where, following the end of the Cold War, companies developed

new ways to commercially exploit military navigation and tracking

expertise. There are four key players in the virtual advertising

field:



EPSIS has been pioneered by Symah Vision, part of the French defence to

media group, Lagadere.



ORAD is a system jointly marketed by IVS - a joint initiative between

the sports marketing giant, ISL, and Israel’s Orad Hi Tech Systems.



SciDel has been developed by SciDex, an Israeli-based company with

offices in Europe and the US.



L-VIS is a US system developed by Princeton Video Images.



Like the recipe for Coca-Cola, how each system works - and differs -

remains a closed secret.

[]



In essence, virtual advertising technology doctors TV coverage of a

sports event before broadcast. Virtual images are inserted, enabling

different brands or even advertisers to be seen within the same basic

feed in different countries.



’Virtual advertising allows you to ’narrowcast’ different messages

simultaneously,’ Halden explains.



’It has the potential to allow 100 different countries to see sports

coverage of a single event with 100 different sponsors’ messages, or 100

different variations of a single message.’



The technology can be applied to the footage of an event at that event

with a special unit sitting alongside the outside broadcast unit

shooting the coverage. Or, it can be applied to footage transmitted via

satellite to the headquarters of the technology provider where it is

doctored before footage is then transmitted via satellite around the

world.



Alternatively, it can be applied at the headquarters of the broadcaster

responsible for relaying coverage to viewers in a particular country -

as was the case with a recent Allied Domecq/EPSIS test on Sky

Sports.


http://www.campaignlive.co.uk/news/17699...ILC-SEARCH

https://undoctrination.info/forum/showth...pid=7#pid7
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